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8 January 1836 – 25 June 1912. Most renowned painters.

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Pieter Bruegel the Elder
Dulle Griet

ID: 89831

Pieter Bruegel the Elder Dulle Griet
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Pieter Bruegel the Elder Dulle Griet


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Pieter Bruegel the Elder

(Dutch pronunciation:c. 1525 - 9 September 1569) was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes (Genre Painting). He is sometimes referred to as "Peasant Bruegel" to distinguish him from other members of the Brueghel dynasty, but is also the one generally meant when the context does not make clear which "Bruegel" is being referred to. From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel. There are records that he was born in Breda, Netherlands, but it is uncertain whether the Dutch town of Breda or the Belgian town of Bree, called Breda in Latin, is meant. He was an apprentice of Pieter Coecke van Aelst, whose daughter Mayken he later married. He spent some time in France and Italy, and then went to Antwerp, where in 1551 he was accepted as a master in the painter's guild. He traveled to Italy soon after, and then returned to Antwerp before settling in Brussels permanently 10 years later. He received the nickname 'Peasant Bruegel' or 'Bruegel the Peasant' for his alleged practice of dressing up like a peasant in order to mingle at weddings and other celebrations, thereby gaining inspiration and authentic details for his genre paintings. He died in Brussels on 9 September 1569 and was buried in the Kapellekerk. He was the father of Pieter Brueghel the Younger and Jan Brueghel the Elder. Both became painters, but as they were very young children when their father died, it is believed neither received any training from him.   Related Paintings of Pieter Bruegel the Elder :. | The Peasant Dance | Dulle Griet | The Fall of the Rebel Angels | Christ Carrying the Cross | Misanthrope |
Related Artists:
Anna Lea Merritt
American Pre-Raphaelite Painter, 1844-1930 English painter, muralist and printmaker of American birth. She is best known for her Victorian portraits, allegorical and religious paintings, landscapes and floral scenes and was successful in spite of the difficulties that she encountered as a professional woman artist working in Victorian England. After brief artistic tours to Florence, Dresden and Paris, where she studied in L?on Cogniet's atelier, she began intensive instruction in 1870 from Henry Merritt (1822-77), an Englishman who restored works of art from important collections and wrote on art, exhibitions and conservation. Anna Lea and Henry Merritt were married in July 1877; three months later he died. Love Locked out (1889; London, Tate), depicting love at the door of a tomb, was painted as a memorial to her husband.
Louis Aston Knight
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Giacomo Guardi
(1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him.






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